How do the poems we have studied argue the differences between get it on and lust?
...then worms shall(a) try
That colossal-preserved virginity:
And your quaint honor turn to dust;
And into ashes all my lust. - To His Coy Mistress
These four lines summarise Marvells thoughts, both on have a go at it and on the subject of his ladys refusal to ...embrace... him. The way he attacks her obvious honour with savage diction such as ...lust... and ...quaint honour... is crude and unkind, and leads the subscriber to believe he has rattling little regard for the feelings of his mistress. From the speech ...long preserved... we surmise that he believes she has been keeping her virginity needlessly for a long time. Mockingly, Marvell conjures a grotesque image of ...worms..., which will eventually ...try... the long-preserved virginity. He quips about how his ...lust... will turn to ashes. The use of the word ...lust... seems to boot out just how selfish his feelings really are.
To His Coy Mistress is typical of a metaphysical poem, as it explores several profound ideas, love and sexuality, how alter and transitory pleasure really is, and in the third musical composition in particular how it is important to live for the day, Rather at formerly our time devour,
Than languish in his slow-chapped power.
Also typical of a metaphysical poem is the way in which Marvell explores mans relationship with the afterlife, and states that after bread and butter there is nothing but Deserts of vast eternity, a very controversial idea for the seventeenth century when there was restrained a great deal of emphasis in corporation upon religion, and in particular the prospect of an afterlife. In dispute this, Marvell is challenging something fundamental to the beliefs of many of his contemporaries.
Marvell describes the grave as being ...a all right and private place. In...
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